The Buddhist inspiration is very apparent at every turn, from the ridiculous storyline of vengeance and god-destroying glowers to the beautiful art style. Gorgeous manga stills, presented as interludes that expand on the story, are also sandwiched between chapters. There’s even a cringeworthy animé-typical ‘fan service’ episode set, flashbacks aside, entirely in an onsen. It’s a fantastic idea that’s executed very well.
The 18 episodes are even split into three ‘seasons’, with a full cliffhanger and credit roll at the end of each. Preview clips that lay out what's going to happen next pop up between stages, showing scenes from throughout the next episode, narrated over with a curious voice and basically spoiling some of the following content, albeit without context. Stylised as a television show, each episode begins with credits overlaying the action and end with the last frame frozen, morphed into a still cel emblazoned with the words “to be continued”. Reviving millennia later, Asura seeks revenge upon his ex-brethren, now known as the Seven Deities, battling Gohma and gods alike on his own terms as he attempts to save his child. After slaughtering his partner and kidnapping his priestess daughter to aid in their continuing battle against the Gohma, Asura is hurled to his death. Asura fights as one of eight Guardian Generals against the Gohma, a dark entity that threatens to take over Gaia - Earth - until he is betrayed by his fellow warriors.